The character slowly comes into focus, you read the script, what people say about him, what you say, what the script says about the guy.
And you start to put them on, and one will be like [pops his tongue], ‘That’s it!’
Then you start to work with the makeup man — Thomas Nellen, who I’ve worked with on so many films.
And Anne Roth, who was the costume designer on this movie, we were so lucky to get her.
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