Invention and fact commingle to arrive at a tougher truth about the way the industry uses and discards black women.
In her 1996 debut film, Cheryl Dunye amply demonstrated why a plurality of voices is so essential to cinema.
In the weekly column Extra Credit, Charles Bramesco recommends supplemental viewing for moviegoers whose interests have been piqued by a given week’s big new release.
This Friday, Ava DuVernay’s big-budget adaptation of the children’s book A Wrinkle in Time instantaneously dimension-hops into cineplexes.