I think there is a structure to origin films that audiences sometimes can get ahead of very quickly.
We’re very conscious of making sure that audiences don’t get things that feel like they’ve seen them before.
So, if we do origin films, internally, we talk about how we can subvert that structure.
That’s a lot of times what a typical origin movie is structured like, but as we introduce new characters moving forward, we want to find ways to subvert that structure, so at least the experience of the film feels new to audiences.