But what I like about where Crashers could potentially be at is [that] there’s something that is of this moment that feels really good… a lot of these comedies, even something like Wedding Crashers, you’re sort of investigating things that I think are real in our lives, but the comedy is an overcommitment to the absurd.
I never went and made a sequel to a lot of these films at the time because it felt like we were just chasing a success.
David Dobkin had a really good idea that’s contemporary.