But in I May Destroy You, Elwis and Coel hijack that shortcut to pair scenes with the opposite sort of music you’d expect.
The groundbreaking series – which sees Coel play protagonist Arabella, who experiences a sexual assault – defies classification.
Its music – a mix of gospel, women-led hip-hop and British up-and-comers – is an extension of that blend of tones and contradictions.
I May Destroy You takes a different approach to the same effective end.
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