The big star, of course, is Hardy, and it is perhaps because of his glowering presence that MobLand is such thrill-free viewing.
It lacks the giddy, absurdist wit of Ritchie’s Netflix smash The Gentlemen – it is assuredly a drama, not a caper.
Guy Ritchie has spent his career putting his distinctively playful seal on the gangland genre.
Nonetheless, it seems to have constrained director Ritchie, whose direction of the opening episode is low on his usual irascibility.
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