The script won’t migrate from the screen to the proscenium entirely unchanged, either; Billy Elliot screenwriter Lee Hall has been credited with adapting Chayefsky‘s original screenplay.
We are indeed mad as hell, and so long as the option exists, we’d prefer to not take it anymore.
The show has slated an opening date in November at London’s National Theatre, and tickets for this high-profile production are sure to fly.
Public opinion has swayed back and forth on Network in the decades since its release in 1976.