That was so liberating and freeing, you know, to sort of break away who the character was prior.
That was no fault of any director or writer, that was me personally.
It felt like I’d put myself in a box with what the character could do.
So on Ragnarok, it was about breaking all the rules, and kinda going ‘as soon as it feels familiar, do something different’, and Taika [Waititi] – the director – had the same vision, and the same, I guess, guts to just roll the dice and [do the] ‘anything goes’ kind of thing.