The secret that we were always trying to do with his films, Inception, Interstellar, and The Prestige, was being faithful to Chris’s original idea but never getting into a point where you’d be sitting there as an audience member feeling that you’ve been left out.
Because there’s nothing worse than a film where the audience gets lost to the point of being disappointed.
Chris does make very complicated films and I think my job in the whole process is to try to keep it as understandable as you can.