As is so often the case in the films of Christopher Nolan, the clock is ticking.
Since his career began more than 20 years ago, Nolan has returned to these same ideas time and again; few directors have as thematically or formally consistent filmographies.
Although the trailers are deliberately vague, the movie looks like classic Nolan: Advanced technology, boldly photographed action, and a high-concept that plays with the notion of time.
On September 3 — and even earlier overseas — his eleventh movie, Tenet, opens in theaters.