No other Pixar short pays such homage to the Looney Tunes shorts the way Presto, from director Doug Sweetland, does.
It’s the rarest of rare cases for Pixar, where photorealistic animation caused the studio to slip into the infamous uncanny valley.
Every new film from Pixar Animation Studios arrives with a certain set of expectations.
If anything, “La Luna” began a period of more sentimental shorts from Pixar that’s only dimmed slightly over time.
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