Just when I thought I was out, watching the Watchmen pulled me back in.
Reznor and Ross first teamed as composers on David Fincher’s The Social Network.
Then I heard Lindelof wasn’t just rehashing the original comic.
After Zack Snyder’s slavishly faithful adaptation, and a million bad knockoff comics trying to copy Moore and Gibbons’ ideas without any of their intelligence, I was done.