The babies, all the baby animals, are puppets because baby animals should be with their mothers, not on my film set.
The New Zealand director is best known for 2002’s Whale Rider and McFarland USA; in The Zookeeper’s Wife she tells the story of a heroic Polish woman.
I got my editor to cut them together – it’s like really crude pre-vis – to the sound of war approaching.
Being one of the last people to talk to Caro after six hours of press, I didn’t expect the liveliest of conversations.
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