Rylance’s central performance grounds the show – keeps it from floating off into the existential troposphere – but the charge remains.
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That’s where Wolf Hall: The Mirror and the Light, the second and final chapter in the BBC’s adaptation of the late Hilary Mantel’s historical novels, comes in.
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Ignore the temptation to find modern political resonances within this narrative – this is about the fickleness of the human condition.
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Wolf Hall: The Mirror and the Light is built on that premise.