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Even a franchise as universally beloved as the Indiana Jones movies is not without its polarizing reactions – and no, I am not talking about 2008’s Indiana Jones and the Kingdom of the Crystal Skull.
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I am, indeed, talking about the second film in the series (and the first, chronologically), 1984’s Indiana Jones and the Temple of Doom, which puts Harrison Ford’s heroic archaeologist on an adventure so unexpectedly and controversially dark that it would inspire a major change within the film industry.