Jackman and Mangold’s first X-Men movie together, The Wolverine, also draws heavily on “film noir framings,” at the same time that it takes cues.
Strong foregrounds, playing things in depth: you have to make an image say more within that one image.
Logan itself looks pretty great so far as a result, with the trailer alone featuring a number of shots boasting the “strong foreground” that Mangold was going for.
In modern filmmaking everything’s in close-up, so every scene there’s 150 cuts to keep track of what’s going on with every element.