I think this is different [than Goodfellas], I think it is.
The style of the picture, the cuts, the freeze-frames, all of this was planned way in advance, but here it’s a little different.
This late in a filmography, seeing an artist challenging himself is a heartening sign, no matter the results.
It would appear that Scorsese may try to employ the more subdued, contemplative formal strategy that made Silence such a powerful yet tranquil film.
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