The Hateful Eight, for example, originally contained six chapters, each with their own title card.
Tarantino shot The Hateful Eight in Ultra Panavision 70, a nearly-extinct widescreen celluloid format, and then released that roadshow print, complete with an intermission.
Tarantino hasn’t spoken publicly about the Extended Version of The Hateful Eight and it’s not entirely clear how involved creatively he was with its assembly.
In 2015, he called 70mm “film’s saving grace” and said it could be celluloid’s last hope of “actually conquering” digital movies.