Walker puts the steady flow of interesting roles she’s enjoyed in her forties down to the women who came before her.
Walker is speaking to me from a sparse bedroom in Glasgow, in a mustard-yellow tartan scarf and burgundy jumper.
“I felt nervous going back to work,” Walker admits, “but they handled it brilliantly compared to other production companies.”
“It’s a totally platonic love,” says Walker, apart from a “fumbled and ill-judged kiss” by Sunny early on that was quickly rebuffed.
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