I felt like if someone buys a ticket to a movie called The Invisible Man they’ll automatically be suspicious of any empty corner.
Knowing if I pointed the camera at a corner, in a film called The Invisible Man, the audience is going to start thinking, ‘Is he there?
And that became exciting to me because it felt unique like I hadn’t seen a lot of movies do that.
They’ve seen a lot of movies and they are trained to recognize the different rhythms of modern films.
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