From Netflix originals such as Stranger Things and Godless to dramas and documentaries like The Crown, Peaky Blinders and Blue Planet II, audiences have been pretty spoiled for choice.
The challenge for season 2 was composing scores that would work when the characters were faced with entirely new scenarios.
“Over the past few years, television scores have become increasingly important and now enjoy the same recognition as major movie scores,” he says.
“Working with Thom and Hans on the collaboration track (ocean) bloom for the Blue Planet II prequel was truly a career highlight,” he continues.