To piggy back off of that sentiment, I do not believe anyone can or should try to push the limits of absurdist humor quite as dangerously far as Monty Python did on their groundbreaking sketch series and their take on Arthurian literature in Monty Python and the Holy Grail.
The 1975 cult favorite, co-directed by Terry Gilliam and the late Terry Jones, is commonly considered the British comedy troupe’s finest cinematic achievement, thanks to such bits as a far too resilient Black Knight, a homicidal rabbit, very rude Frenchmen, and a hilariously abrupt conclusion that supposedly birthed the term “cop out.”