It will be interesting to see how the technology is used in The Irishman, but right now it’s hard to fault the decision.
Hopefully the team has a good handle on everything, and The Irishman can be a visual effects showcase as well as a throwback Scorsese picture.
If the crime drama is to require flashbacks, it’d be better to use De Niro, Pacino, and others and then digitally de-age them.
Also, any sequences where the young De Niro and Pacino return would probably be a short portion of the running time.
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