Over the course of her filmmaking career Sofia Coppola has developed a very specific style, one that is at once dreamy and observational.
One thing Coppola excels at is world-building, a talent she demonstrated with her visually sumptuous (though somewhat controversially anachronistic) period film Marie-Antoinette.
However, it does seem that Coppola at least is keeping the door open on the possibility of tackling a major studio production at some time in the future.
Perhaps at some point the right kind of big-budget project will cross Coppola’s desk and she’ll decide to take it on, even if it means giving up some autonomy.