This typically ranges from little trinkets to costumes, but Ansel Elgort got the chance to take home something a bit more significant after the making of Edgar Wright’s Baby Driver.
It wasn’t just a cool pair of sunglasses or a pair of earbuds — it was one of the cherry red cars that you see the titular protagonist driving in the movie’s opening sequence.
He recently told me.
While it doesn’t happen every day, it’s not terribly uncommon to read about film productions that wind up demonstrating appreciation for performers by allowing them to take home some kind of personal memento with a link to their character.