The heist begins smoothly, but mayhem ensues when the defiant bank manager sends them to a basement-level vault – home to something truly evil.
Is The Vault an arthouse horror film or a movie elevated from the VOD ranks by Franco’s presence?
The Signal is a film populated with big ideas, and Bush’s segment is by far the bleakest of the three.
Unlike most actors, Franco is entirely immune to decline; he can make an independent horror film or a second-rate biopic and immediately pivot into a new blockbuster franchise or prestige television series.
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