It was also the format Paul Thomas Anderson used to shoot The Master, as well as Quentin Tarantino’s Hateful Eight.
Christopher Nolan shot parts of Interstellar on 65mm, and his upcoming World War II drama Dunkirk was filmed almost entirely in 65mm.
We can debate the merits of film vs digital until both formats are replaced with images shot directly into your brain, but film has been making a comeback on the big screen as of late.