The prosthetic, the hunchback, made me look at the floor and because I was looking at the floor I was a lot more self-conscious and I felt inferior and I was scared to use my voice.
That helped the way I used my voice, the way I responded to people.
I would have loved more time to develop and to discover what those inhibitions were, those restrictions were…
Automatically when you’re in the chair for three hours before you go onto set, as the younger Yennefer, I am getting into the headspace of the character.