When he ended up adapting one for Apollo 13 however, he realised that they create opportunities that fiction screenplays don’t.
So I dig through it [and find it] – not very much information on the card, just broad pencil strokes: ‘Caucasian.’ ‘Male.’
It’s easy to see how a true story can help you bypass criticism of endings, but perhaps they’re more of a creative crutch than a creative choice?
“There was only one person that marked it ‘poor’, so out of 420 cards that’s of course the one I’ve gotta find.
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