I think each medium demands a different, it’s like a puzzle, each one has a different sweet spot.
But at the same I’m doing The Chef Show for Netflix where I’m cooking in a kitchen with friends and that’s very small but that also hits a huge audience too.
I think if you’re gonna make something for the big screen with this level of budget and this level of visual effects where you can really push the limits, having a story that the studio feels comfortable committing these resources to and knowing there’s an audience for that internationally is very important for something of this scale.