The number of hologram advertisements certainly does feel a little excessive.
That sort of thing was cool in Blade Runner but now every movie that does it just looks like it’s trying to copy Blade Runner.
Surely there’s another way that somebody can imagine how commercials will be made in the future.
Most of the initial criticism of the new Ghost in the Shell was centered around the casting of Scarlett Johansson in a story that originally took place in Japan, and while CinemaSins does deal with those issues a bit, it’s much more focused on other ideas, like the fact that the movie seems to fill itself with random future technology for no other reason than to show off digital effects, as most of it is unnecessary to the film.