Levinson favours a warped reality, and captures it using some of the most distinctive music and cinematography on the air.
“Sam wanted it not to look like the reality of today’s teenagers, but how they imagined themselves to be,” Rév tells me over Zoom.
In Euphoria – whose second season came to an explosive end last month – even the ugliest things are made beautiful.
Here, controversially, everything from overdose to abuse is moodily lit, glitter-strewn, and set to a spine-tinglingly good soundtrack.
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