But “Surrender” is, without question, the song that should have opened the film, rather than be shifted to the ending credits.
It’s a tribute to evil, with a delicious lyrical story that would have even made Elliot Carver cry proud, cold bastard tears.
The Crow song, on top of working the film’s title into its finished product, is still a proper entry into the history of Bond songs, for sure.
It’s a beautiful, moody noir number in a series that was still trying to reinvent itself in a modern context.
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