That’s also why he put Sharon Tate in Once Upon a Time in Hollywood instead of a fictional stand-in.
That’s because basically every Tarantino movie for the last 25 years is a revenge film, and it’s only in that final act that Once Upon a Time in Hollywood sort of becomes one, too.
There are some brutal murders at the end of Once Upon a Time in Hollywood — just not the ones we expect.
Instead of making a movie about revenge, this time Tarantino made a movie as an act of revenge.